April 20, 2016NewBibDanceNew Bib A Bibliography of Personal Names Dedicated to the Memory of Philip Dance, Co-Founder 1949-2008 Technical Services Manager University of Portsmouth Library, U.K.Note: This version of New Bib is a working version. We are in the process of adding new items. We wish to thank Enzo Caffarelli, editor of Rivista Italiana d’Onomastica and Frank Nuessel, editor of Names for their help and cooperation. This site is intended to function as a supplement to previous bibliographies (Lawson, Personal Names and Naming, Greenwood, 1987 and Lawson, More Names and Naming, Greenwood, 1995). Because of copyright restrictions, items from those bibliographies are not available on line here. The bibliography by Elsdon C. Smith is an excellent source of onomastic items prior to 1952.
He put the book in the public domain. An edited version of it is on online at Smith Bibliography,Note to Authors: If you have an item that you would like to have considered for listing, you can send it to: Ed Lawson, 23 Westerly Drive, Fredonia, NY 14063, USA or by e-mail to It would be helpful to have an abstract. If the item is in a language other than English, please give a translation in English. Abstracts in languages other than English are welcome. It is also helpful if the authors would select some keywords that they think would be helpful for someone searching by category.
Other link for Pdf George Winston:.George Winston - Piano Solos.pdf - Park Arts - PBworks.George Winston- Autumn.pdf - Free download as PDF File (.pdf) or read online for free.Created Date: 9/17/2008 6:40:37 PM.Title 'Joy' / George Winston Subject: New Age Piano Solo Music Created Date: 3/11/2000 3:17:24 PM.VARIATIONS ON THE KANON BY JOHANN PACHELBEL Public Domain with George Winston Arrangement skysea.Definitions Chord Any combination of three or more notes played together. George Winston WorkshopV1J10/16/15# 6. SONG LIST When the Saints Go Marching In.George Winston - Download as PDF File (.pdf), Text File (.txt) or read online.Title 'Canon' / George Winston Subject: New Age Piano Solo Music Created Date: 3/11/2000 3:52:00 PM.THE NIGHT DIVIDES THE DAY – THE MUSIC OF THE DOORS Page 2 as Charley Patton & Son House, from records by Lonnie Johnson, and.George Winston Transcriptions All of the below in one large file (if you have a fast connection): Winston Transcriptions.
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Curriculum vitae Born in Naoussa (Greece).Thanos is steadily achieving recognition to be one of the leading virtuosos of his generation. His rich musicianship and perfectionism have already credited him with the highest praise from audiences and critics. Thanos has received a very special honor by the great Brazilian Grammy Award winner guitarist & composer Sergio Assad who considers him the top ideal interpreter of his music. It is his intense musical intuition, flawless technique and personal style in his interpretations that easily captivate the audience.
Sergio Assad writes for Thanos. An incredible musician and guitarist.Classical Guitar Magazine (Blair Jackson-Nov 2017) refers to him. A formidable guitarist. American Record Guide (Kenneth Keaton-May 2012) mentioned: “Mitsalas’s playing is excellentHis technical command and sense of invention and expression are impressive!” Sharon Isbin (Head of the guitar department at The Juilliard School) said for him: “Thanos has a brilliant virtuoso technique and an excellent musicianship – truly an extraordinary talent! And repeatedly recorded for Greek and foreign International Radio and TV networks. In 1990, after he’d won the International Guitar Competition in Martinique he earned the privilege to perform the ‘premiere’ of the French composer Luc Nieto’s guitar work ‘Le yeux de Num’ in three countries: Greece – Volos International Guitar Festival (1991), Cuba – Havana International Guitar Festival (1992) and Martinique – Carrefour Mondial de la Guitar (1992).
REVIEWS FROM INTERNATIONALLY ACCLAIMED CRITICS, MAGAZINES AND PERSONALITIES OF THE MUSIC WORLD “. An incredible musician and guitarist.
” Sergio Assad (multiple Grammy Award Winner Guitarist & Composer) “. Thanos has a brilliant virtuoso technique and excellent musicianship - truly an extraordinary talent.His playing is of the highest professional caliber.” Sharon Isbin (Director of the guitar department at The Juilliard School) “. A rich musical talent! His clear virtuoso, musically inventive and impressive performance easily gains the highest appreciation of the listener. ” Tadashi Sazaki (Director of the guitar department in Hochschule fur music Koln/Aachen) Page 5.
Perhaps it can be taken as a show of confidence by this outstanding guitarist, who has much more than just virtuosic prowess on demonstration in this outstanding release. Altogether an impressive concert by a first-rate musician.
Fritz Balwin - November 2017 (Audiophile Audition) REVIEWS FOR ΤΗΕ 2016 CD RELEASE: SERGIO ASSAD - “MIKIS” CONCERTO FANTASIA (Works for Guitar & Strings – ClearNote 2016) SERGIO ASSAD’S NOTES ABOUT THE RECORDING PROJECT: In today’s world, where CDs are so easy to produce, very few recordings stand out above the vast sea of CD’s released every year.It is my great pleasure to introduce one of these very special recordings featuring chamber works for guitar and strings. This extremely well produced CD was recorded and engineered in Thessaloniki, Greece. The artists involved are of the highest caliber with a profound knowledge and understanding of chamber music. The exquisite classical guitarist from Greece Thanos Mitsalas surrounded himself with top Greek string players and recorded this full album dedicated to some of the chamber music that I wrote over the years. You will find here the first recording of the Concerto Fantasia for guitar and strings based on the music of our beloved Greek composer Mikis Theodorakis.Written in 1999, it was commissioned by Costas Cotsiolis and premiered by this great guitarist in Athens with the Athenian String Orchestra. The concerto is written after a collection of pieces that Theodorakis composed under the title Lorca. To create Lorca, a set of songs for guitar, contralto, choir and orchestra, he used a collection of poems written by Federico Garcia Lorca called Romancero Gitano.
This work became one his most known pieces and was popularized by the recording of John Williams and Maria Farantouri.The Concerto Fantasia presented in this CD uses Theodorakis’ themes and gives a special role to the guitar part treated in a stylistic concertante way. Formally, the piece is presented as a traditional concerto in three movements each movement using a pair of Theodorakis songs in a total of six.
Making an echo to Theodorakis title, Lorca, the concerto fantasia was named Mikis, after the composer’s first name, in a pure and humble homage to his music. The 5 World Dances were commissioned by the Bath International Music Festival in 2001 and were my first pieces for guitar and string quartet.It comprises a set of 5 pieces each one featuring an idiomatic style of music from a different part of the globe.
The subtitles reflect those regions:1)Middle Eastern, 2)Celtic, 3)African, 4)Balkan and 5)Latin American. It is a true honor to have my music so well presented here in this excellent recording!! Sergio Assad (2016) Page 9. Sergio Assad’s reputation as one of the contemporary world’s most generous composers for guitar, his own instrument, is pretty much unchallenged.
He lends his equally generous written imprimatur to this recording in which he praises Greek guitarist Thanos Mitsalas and his string colleagues for the recording of two of his chamber works. Mikis, the Concerto Fantasia for guitar and strings was composed in 1999 and based on music by Mikis Theodorakis called Lorca, a setting for guitar, contralto voice, choir and orchestra. It’s the guitar’s concertante role that Assad has especially turned to, employing pairings of Theodorakis’ songs in each of the three movements.The music has a wealth of beguiling charm and, given the downward sonic extension of the double-bass added to the string quartet; it’s vested with a bigger-than-expected sonority. There are rich Iberian rhythms, expressive breadth and plenty of alluring refinement. The longest movement is the central Andante, its wistful nostalgic lyricism balanced by faster contrastive runs, the product of elastic long-breathed writing rich in romance. Occasional fiesta-like moments of happiness and the occasional mordant incident widen the music’s expressive compass. The finale is not pressed too hard but unfolds with a natural sense of buoyancy.A cadenza is deftly played by the splendid soloist.The Five World Dances for guitar and string quartet was Assad’s first work for this combination in 2002.
The movements cover Middle-Eastern, Celtic, African, Balkan and Latin American. Each is sharply characterised, from the swaying aura of the opener, through the wistful lyric romance of the Celtic twilight, to the resonant drama of the Balkans. Still, perhaps it’s the succulent tristesse of the Latin-American panel that most engages the listener, the music’s tempi full of giddy and heady excitement. Once again Mitsalas and his excellent string colleagues prove equal to the music’s demands, vesting it with rich sonority and technical address.This isn’t a new disc; it was recorded back in 2010. It’s presented in card gatefold style with some colour photographs of the performers and composer and booklet recollections of a clearly very happy and satisfying recording. It certainly sounds like it from this delightful disc. Jonathan Woolf – September 2018 (MusicWeb International ) Composer Assad gets top billing on this 52-minute program, which contains two long chamber works for guitar and four or five strings (two violins, viola, cello, double-bass).
First up is “Mikis”: Concerto Fantasia for Guitar & Strings, a world premiere recording of a piece Assad wrote in 1999 in tribute to and based on the music of the great Greek composer Mikis Theordorakis, specifically on a collection of pieces Theodorakis wrote inspired by some poems by Federico Garcia Lorca.It’s a sumptuous work, filled with great, sweeping melodies, a few angular modern touches, and a number of lovely guitar passages, all of which are handled deftly by the superb Greek guitarist Thanos Mitsalas. The integration of the guitar and the strings is masterful. The second piece, a collection of five “world dances,” delivers what the subtitled sections promise and much Page 10.
More: “Middle Eastern” is appropriately charged and hypnotic, “Celtic” starts with a lilting Irish ballad feel and then jumps into a complex jig, etc. But leave it an imaginative composer like Assad to never fall into the cliches of the various genres, but instead use the rudiments of those musical languages as jumping-off points for his own extrapolations. Again, Mitsalas works well in every style and he and his bowed-strings compatriots are always right in the groove together. A truly wonderful album!Blair Jackson – September 2017 (Classical Guitar Magazine) I have reviewed Mr Mitsalas before, in a recording of Assad’s solos (M/J 2012) and in a collection called The Italian Tradition (S/O2012).A third collection, Contemplation, was also well received. I was very impressed with each release, and I am strongly impressed with this.
First of all, the music is really wonderful. Mikis has a subtitle, ‘Concerto Fantasia for Guitar and Strings’, and was intended to be performed with a string orchestra. Here we hear one to a part, a string quartet with a double bass. It is based on the music of Mikis Theodorakis, specifically his Lorca, a work for guitar, contralto, chorus, and orchestra based on his cycle Romancero Gitano. I’ve never heard that work, though I assume the text is the same as Castelnuovo-Tedesco’s setting for guitar and chorus.I do know the music is lyrically beautiful, even in the most exciting, virtuosic passages.
Romancero Gitano Tedesco Pdf Merge Download
5 World Dances is for guitar and string quartet. Unlike Mikis, this is a fully integrated chamber work—the guitar is not dominant, though he has plenty to play. Each movement reflects a specific tradition: Middle Eastern, Celtic, African, Balkan and Latin American. The Celtic could be a traditional Scotch folk song, and the Balkan is in what Bartok called Bulgarian rhythms, 9/8, grouped 2+2+2+3. Assad’s early music was strongly in the Latin American tradition—reflecting his Brazilian roots—but his mature work has transcended those roots.His music is no longer Latin— unless he intends it to be—and has become increasingly sophisticated. He is certainly among the finest composers the guitar world has in an increasingly crowded field. Mitsalas performs with the same high level of musicianship and virtuosity he has always delivered: gorgeous tone, absolutely fluent playing no matter how technically demanding the music becomes, and he always gets to the heart of whatever he’s playing.
The strings, all fellow Greeks, play with perfect ensemble, intonation, and expression. A treasurable recording.
Ken Keaton - (American Record Guide - Sep/Oct 2016 ) Page 11. Anyone conversant in the classical guitar world knows the name of Sergio Assad, one half of the dynamic duo with his brother Odair. The Assads have long thrilled and inspired audiences the world over for their artistry, near perfect playing, and creative pushing of the repertoire for the classical guitar. In recent years, Sergio has composed for the guitar and ensembles (listen to his work with his brother and the brilliant Paquito D'Riveira), and this CD, Chamber Works for Guitar and Strings, is one such project, leaving the guitar playing duties in the capable hands of Thanos Mitsalas. The disc is really six works.The opening piece is 'Concerto Fantasia,' based on the music of Greek composer Mikis Theodorakis. Many themes of his music weave in and out of this three movement work.
The Allegro carries us forward in bright, pulsing rhythms, while the Andante is often a gentle whisper, punctuated by restless passages with minor key tensions. The Vivace caps the piece, strings rushing at us, only to be supplanted by Mitsalas' driving, yet lyrical, guitar playing, Assad says in the liner notes that the 5 World Dances are his first pieces for guitar and string quartet. Each dance highlights the musical legacy of different cultures – Middle Eastern, Celtic, African, Balkan, and Latin American.They are wonderful studies in melody and harmony.
'Celtic' actually brings to mind in some passages the music of Appalachia in America, which makes sense, since that area was a melting pot of Old World musical traditions gaining their own voice in the New World. 'Balkan' throbs with the whirling rhythms of Eastern Europe. The Quartet works seamlessly with Mitsalas in creating just the right aural textures and color. This is a brilliant disc of new paths in guitar and ensemble music, and one hopes Mr. Assad will continue to gift us with more efforts like this.Kirk Albrecht- (Minor 7th /July-August 2016) REVIEWS FOR THANOS'S SOLO CD “Contemplation (ClearNote 2014) Seeing a title like Contemplation might make one concerned about having one of those regtettable discs of faux-soulful, directionless, pieces suitable perhaps for your favorite stoner but no one else. Not to worry!
Mitsalas' disc does include a number of quite and reflective pieces, but beautiful ones, superbly played. And as the program evolves it adds more intense and very virtuosic works to balance the lighter ones. The opening is Simone Iannarelli's Page 12. Lovely Per Sofia, and the program concludes with a powerful traversal of the Bach Chaconne, making the most of its beauty and drama.In between are a number of beautiful works, including four of the Seis Breviduras by Sergio Assad and the premiere recording of the same composer's marvelous tribute, Eli's Portrait, forToronto's Eli Kassner. Mitsalas also makes the most of Nuccio D'Angelo's Due Canzoni Lidie. Recorded sound is good, althought the guitar sounds about ten feet wide. This is most likely a function of microphone placement and really does not inhibit enjoyment of the disc at all; just don't overdo the volume.
Excellent notes are provided in a well-designed, tri-fold sleeve. Al Kunze - (Soundboard Magazine / Spring 2015) Five years ago I had the great pleasure of reviewing Thanos Mitsalas' debut CD, which I found to be movingly personal and expressive, while also being remarkably clean and articulate.And today, Mitsalas' newest offering, entitled 'Contemplation', is quite simply one of the finest recordings I've encountered in my decade of writing reviews.
Like before, his playing is stunningly accurate, crisp, and full of life. From beginning to end Mitsalas marries all of the elements of great classical guitar playing: enormous and evocative tonal range, world-class command of the instrument, and a unique and defining musical voice.
The repertoire he selected is interpretively and technically challenging, oftentimes peppered with temperamental dynamic nuance, and at other times marked by enormous and moving dynamic juxtapositions.Mitsalas opens with a swaying and meditative work by Sinone Iannarelli entitled 'Per Sofia'. The piece delicately transports the listener into Mitsalas' musical world, drawn not only from a traditional-classical perspective, but also heavily influenced by modern Spanish and South American styles.
Next are four Breviduras composed by the legendary Brazilian guitarist and composer Sergio Assad. Had the entire disc been only these four pieces, I may have been satisfied, as they straddle a vast musical range, and require Mitsalas to explore the extremes of the instrument and his technique. The disc continues through several other lovely Spanish/South American works before it finally, and somewhat surprisingly, closes with Mitsalas' own arrangement of JS Bach's moving 'Chaconne' from the D minor Violin Partita.Why, after so many modern, Latin compositions are we suddenly thrust back to the Baroque period? From my perspective, this is very similar to what Bach had originally intended with the Chaconne. As the last movement of a vioin partita, it was a disproportionally enormous and musically deep finale to an otherwise innocuous set of works for violin.
Here again, just as Bach originally imagined it, we find the Chaconne placed where no one would expect it, concluding a seemingly unrelated set of works with a single massive and moving musical gesture. I can't imagine a better conclusion to this disc, as Mitsalas has delivered an absolutely impeccable recording that will definitely be turning heads, beginning to end.Timothy Smith - November 2014 (minor 7th ) Page 13.
REVIEWS FOR THANOS'S SOLO CD'Guitar Classics-In the Italian Tradition' (ClearNote 2012) One can argue with the designation of this program as a representation of the “Italian Tradition”; the first work is by a Catalonian, the last more Turkish than Italian. But that is of small consequence when the program is so well played. Mitsalas has a finely developed technique—this is a challenging program, and he never struggles. He has a wide range of timbre and dynamics, though he never overplays.
He has a free yet convincing use of rubato. Overindulgent rubato can really ruin a piece—it should always have a purpose, either to clarify the architecture or to enhance the expression of a phrase.Most important, it should always seem natural and convincing. Some players leave me scratching my head; but with Mitsalas I always feel that this is right, there is no other way to do this passage. He can even make silk purses out of proverbial sow’s ears. Tarrega’s ‘Carnival of Venice’, based on Paganini’s, is not great music.
It’s stuff to have fun with. Mitsalas gives it a royal treatment, without any sense of how tacky this can be. Giulio Regondi often overstays his welcome. He had lovely melodic talent, but his massive technical ability causes him simply to keep going until the point of absurdity has been crossed.It takes a great musician to make these pieces work, and I’ve never heard them played better. Luigi Legnani was Paganini’s friend, the guitarist in his many works for guitar and violin. I didn’t know this Fantasia, but it recalls Giuliani (or, more accurately, Rossini) in its sheer joyousness. The Castelnuovo-Tedesco Capriccio Diabolico is one of his most beautiful and most difficult works.
In the last issue (J/A 2012) I had good things to say about Renato Samuelli’ s performance, but this is stronger on all counts. The Domeniconi is ubiquitous—the “It” piece for guitarists.
There are many strong performances of this hauntingly beautiful work, but this is as fine as any.Kenneth Keaton - September 2012 (American Record Guide) Page 15. REVIEWS FOR THANOS'S SOLO CD 'Thanos Mitsalas plays music by Sergio Assad'(ClearNote 2009) Thanos's recording of Assad's FANTASIA CARIOCA is included in Enrique Robichaud's book 'Guitar's Top 100'.Mitsalas's playing is excellent. He has a fine feel for Assad's idiom in these pieces, and his technical command and sense of invention and expression are impressive.this is an excellent introduction if you are not familiar with his music. Kenneth Keaton - May 2012 (American Record Guide) Like Argentine tango fusionist Astor Piazzolla, Brazilian guitarist Sergio Assad has considerable gifts as acomposer, merging national rhythms with more extended compositional concepts.His works have begun to enter the guitar repertory and to attract performances like this welcome debut from Greek guitarist Thanos Mitsalas. Avoiding the usual weakness of the independent guitar releases, he is nicely recorded by Cue Productions studio in Thessaloniki, and has plenty of power in reserve in the difficult 3 Greek Letters (tracks 12- 14).
If you want the fireworks of which Assad is capable, go there to hear them in a slighty Greek-inflected form. The work was not composed for Mitsalas but is natural for him.A highly recommended CD!James Manheim - April 2012 (All music review). The majority of the works here put considerable technical and at times, musical demands upon the performer being rife with virtuosic rapid arpeggios and intricate scale passages. Mitsalas takes all this in his strive and the compositions are never musically compromised, the player showing a high respect for these pieces and his enjoyment in performing these works coming across very well Steve Marsh - May 2010 (Classical Guitar Magazine). Though tackling these works would seem like a daunting task for any accomplished guitarist, the Juilliard trained performer and educator excels in the face of this challence, producing an album that is not only enjoyable to listen to, but that stands up to the level of scrunity that any work containing Sergio's music would surely face. Matt Warnock – January 2011 (Guitar International Magazine) Page 18. The young Greek guitarist Thanos Mitsalas has recorded a large part of Sergio Assad's original compositions for solo guitar.Mitsalas seems thoroughly at home in this repertoire.
The syncopations of the first of the three divertimentos appear to come naturally to him; so do the relative formalities of the Sonata (a particularly interesting work). Remembrance and Farewell were written as film music and get attractive and evocative performances. Fantasia Carioca, written to celebrate the City of Rio de Janeiro, is a striking tone poem, playfully (and thoughfully) various tempos and phrasing, and Mitsalas invests it with real feeling.Everywhere one senses a vitality of personal commitment and a disciplined freedom in his interpretations.Thanos Mitsalas is an impressive soloist and here he throws a rewarding light on some interesting compositions. He benefits from a recorded sound that is intimate without being over-close. Glyn Pursglove - June 2010 (musicweb-international) Althought most classical guitar enthusiasts know Sergio Assad as one half of the legendary Assad Brothers Duo, in recent years his solo guitar compositions have been garnering attention from performers and concert goers alike.
His music is a unique blend of South American melodies backed occasionally by risque contemporary harmonies. It is this music that makes up the debut CD of Greek guitarist Thanos Mitsalas.The fluid and expressive nature of Assad's works leave plenty of room for unique interpretation, and Mitsalas takes full advantage of this. Instead of simply reciting the compositions according to Assad's directions, there is a true sense that Mitsalas wanted to use the works as a medium for his own artistic statement. While it may be Assad's notes, the music is undoubtedly coming from Mitsalas.
He delicately phrases the characteristic Latin melodies and effortlessly navigates the technically challenging passages. Although young, Mitsalas's musicianship is remarkably mature, and this disc serves as an excellent introduction to this budding guitarist.Timothy Smith – Jan 2010 (Minor 7th music magazine). This young performer has a lot going for him, and I predict his name soon will become more familiar among guitar enthusiasts.Assad's music is not easy to play, but it falls easily on the ear - not because it is simple, but because it is full of piquant harmonies and rhythms, and other pleasant surprises! It has many twists and turns, but it is never unfriendly. Mitsalas plays it cleanly and expressively, and is not ruffled by the complicated rhythms in the Fantasia Carioca, for example.
The recording captures the warm sound of his Thomas Humphrey guitar.If you don't know Sergio Assad's solo guitar music, Thanos Mitsalas's CD will give you an excellent place to get started. Raymond Tuttle – Sep 2009 (classical.net) Page 19.
RECORDINGS: “Tribute” J.Rodrigo (1901-1999) 1 Tiento Antiguo M.Llobet (1878-1938) 2. Variations on the theme of folias de Espana (“folias de Espana”) A.Tansman (1897-1986) 3. Variations on a theme of Scriabin J.Rodrigo (1901-1999) 4. Un tiempo fue Italica famosa Astor Piazzolla (1921-1992) 5.
Primavera Portena Link to Video Sample: 6. Invierno Porteno Simone Iannarelli (1970-) 7. Tribute to Keith Jarrett Sergio Assad (1952-) Sandy's Portrait 8. Passacaglia 10. Toccata Andrew York (1958-) “Encore piece” (Bonus Track) 11.
By Candlelight Page 22. Sergio Assad - “Mikis” Chamber Works for Guitar Concerto Fantasia & Strings “Mikis” Concerto Fantasia (world premiere recording) 7.Allegro 8. Vivace “5 World Dances” for Guitar & String Quartet Middle-Eastern Celtic African 10 Balkan 11. Latin American Link to Video Sample: “Contemplation” Simone Iannarelli (1970-) 1. Per Sofia Sergio Assad (1952-) Breviduras (from Seis Breviduras) 2. Saltitante Link to Video Sample: 6.
Romancero Gitano Pdf
Preludio e toccatina (from Aquarelle) Egberto Gismonti (1947-) Simone Iannarelli (1970-) 7. Agua e Vinho. 11. Lullaby for Sarah Sergio Assad (1952-) J. Bach (1685-1750) 8. Eli's portrait (world premiere recording) 12.Chaconne (from the 2nd solo Nuccio D’Angelo (1955-) violin partita BWV1OO4) Due Canzoni Lidie 9.
Tranquillo 10. Agitato Page 23. “In The Italian Tradition” Francisco Tarrega (1852–1909) 1. Variations on the theme Carnevale di Venezia Luigi Legnani (1790-1877) 2. Fantasia Op.19 Mario Castelnuovo-Tedesco (1895–1968) 3. Capriccio Diabolico Giulio Regondi (c. Nocturne Reverie Op.19 5.
Introduction and Caprice Carlo Domeniconi (b. 1947) Link to Video Sample: Koyunbaba 6. Presto “Thanos Mitsalas plays music by Sergio Assad” 3 Divertimentos 1. Parati (from Summer Garden Suite) 4. Remembrance Sonata 5.
April 20, 2016NewBibDanceNew Bib A Bibliography of Personal Names Dedicated to the Memory of Philip Dance, Co-Founder 1949-2008 Technical Services Manager University of Portsmouth Library, U.K.Note: This version of New Bib is a working version. We are in the process of adding new items. We wish to thank Enzo Caffarelli, editor of Rivista Italiana d’Onomastica and Frank Nuessel, editor of Names for their help and cooperation. This site is intended to function as a supplement to previous bibliographies (Lawson, Personal Names and Naming, Greenwood, 1987 and Lawson, More Names and Naming, Greenwood, 1995). Because of copyright restrictions, items from those bibliographies are not available on line here. The bibliography by Elsdon C.
Smith is an excellent source of onomastic items prior to 1952. He put the book in the public domain. An edited version of it is on online at Smith Bibliography,Note to Authors: If you have an item that you would like to have considered for listing, you can send it to: Ed Lawson, 23 Westerly Drive, Fredonia, NY 14063, USA or by e-mail to It would be helpful to have an abstract. If the item is in a language other than English, please give a translation in English. Abstracts in languages other than English are welcome. It is also helpful if the authors would select some keywords that they think would be helpful for someone searching by category.